Slash throws in the towel….

Ben Moody speaks of Evanescence (This is really good stuff)

EVANESCENCE co-founder Ben Moody (guitar), who last year formed a soundalike band called WE ARE THE FALLEN with other former EVANESCENCE members (John LeCompt on guitar and Rocky Gray on drums) along with “American Idol” powerhouse vocalist Carly Smithson and bassist Marty O’Brien (DISTURBED, KELLY CLARKSON, STATIC-X, METHODS OF MAYHEM, TOMMY LEE), has released the following statement:

“My name is Ben Moody, founding and former member of EVANESCENCE.

“I’m not someone who partakes in online communities, nor do I scour message boards or read reviews of my work and I almost never read comments posted to videos on YouTube. However, I was showing a friend the video for WE ARE THE FALLEN‘s introductory single, ‘Bury Me Alive’, on YouTube. I couldn’t help but notice that there have been over 4,000 comments posted. Curiosity got the better of me and couldn’t help but find out what in the world about a music video could merit months and thousands of individual comments of discussion.

“I have never been one to give any credence to the often overly critical and unnecessarily malicious opinions of anonymous masses online. Nor have I been emotionally affected any of the countless times that criticism and malice have been directed at me. I don’t obsess about what people whom I’ve never met have to say about me. And I am NEVER moved to respond, defend, or even acknowledge all of the countless misperceptions and inaccuracies about my life. But, for some reason, I am compelled to break my silence.

“I have no doubt that many of you will misinterpret this as a prideful attempt at vindication. But the truth is my only hope here is to maybe, possibly restore some grace and peace to something that means more to me then anyone realizes.

“I am literally overwhelmed at not only the impression of my new band WE ARE THE FALLEN amongst EVANESCENCE fans worldwide and the assumptions of our intent, but in the relentless perseverance of a misunderstanding that has grown into something so dividing and malicious that I simply can’t be silent anymore.

“Out of more than 4100 comments, 4000 of them were nothing but the same comments regurgitated over and over again engaging in a ridiculous WE ARE THE FALLEN vs. EVANESCENCE / Ben vs. Amy debate.

“The only motivation I have to set the record straight after all these years of silence is the refusal of such a huge number of EVANESCENCE fans to move on and focus on what is important… even though the only two people involved in the split of EVANESCENCE did so years ago.

“The appearance of WE ARE THE FALLEN and the appertaining resurgence of such intense feelings has left me feeling as though I need to set the record straight before this unfounded drama gets out of hand. Ironically, it’s the same passion that drives some of you to feel so strongly that confirms in me it is worth saying anything at all.

“So here it goes…

“For once, I am not going to paint the sugar-coated pleasant version of events. I’m going to tell you exactly what happened in October of 2003.

“There is no doubt a great many of you will cling to your opinions and assumptions regardless of what I have to say. That is your right… though it takes a great deal of foolishness to assume your version of an event is correct even when in direct conflict with the account of those involved.

“Amy Lee and I began our friendship and creative relationship in our early teens. Our meeting was the sole determining factor that set our lives and what we believed to be our destinies on their course. It was exciting, rewarding, and more motivating than any other relationship in my life.

“When we made our first recording together, I knew what my life was meant for. And I never looked back. Shortly after, we found our missing piece and my lifelong musical soul mate, David Hodges. It was years of the three of us revolving our worlds around each other and our band that gave birth to EVANESCENCE.

“In our fifth year, we began to finally get the music we all longed to make from our head to tape. And though everyone we knew didn’t understand our relentless drive to make this our lives, the three of us never wavered in our determination to bring something into this world we believed to be bigger than all of us. I maxed out credit cards to buy us enough gear to make our first CD, which would lead to signing with Wind Up. When I couldn’t pay the bills, David and I lost our apartment. We slept wherever we could, including many nights I spent in the bed of a pickup truck, until Amy graduated and we could all move away to follow our dreams. None of it mattered to me. I’d give up anything. Eventually we found ourselves signed, living in L.A., writing ‘Fallen’.

“The three of us living together, doing everything together. we were all we had. But a cruel fact of life is that the person you are at 15 doesn’t resemble the person you are at 18, and 21….and today I in no way resemble the person I was when i was in EVANESCENCE. I did everything in my power to put that person in the ground. Sometimes you grow together, and sometimes you grow apart. We were very young people in a very stressful situation.. and we were becoming two very different people. I believe we both contributed to the resentment of the deterioration of our friendship that quickly turned into a downward spiral of animosity, conflicting opinions, and a very volatile environment. By the time we went on tour to support ‘Fallen’, it sadly was over. We had parted ways with David, nearly severing the relationship with the someone that was a brother to me. In that time, being so young and on this amazing ride, I became someone I didn’t like. And had no power to change. I’d like to believe that looking back, Amy would have handled things differently now as well.

“Ironically, it was Amy and my absolute equal devotion to EVANESCENCE that drove us to such extreme opposition. We had such opposing desires and personalities that mixed with the pride of youth and inexperience (and an extreme amount of insecurity and loss of direction on my part) led to an all-out war. We were completely blind to the fact that we were poisoning the very thing we held most dear. I was an awful person, and Amy reacted in kind.

“On the night of October 22, 2003 everything came to a head. And through my fit of rage and desperation I put the nail in the coffin of EVANESCENCE. At that time, there was no way we would ever complete another record together. It was highly probable we wouldn’t last the remainder of the tour. Neither one of us willing to back down. Every emotion I felt manifested itself as anger. I was devastated by what we had become. Everything I based my existence on, an unreachable dream come true… was a nightmare. And I was powerless to stop it. We were so passionate about EVANESCENCE and so determined in our opposing desires for the future that my once-best friend and I had become enemies.

“By the end of that evening, I saw for the first time what we were not only doing to ourselves, but what our war was doing to everyone around us. We fought dirty, and EVANESCENCE paid the price. I couldn’t sleep. If one of us didn’t leave, my one chance to leave something in this world greater than myself would be lost. I had tried before, out of ignorance, pride, and resentment to convince Amy that she should leave. That we’d be better off and EVANESCENCE didn’t need her. I was hurt, and wanted her to hurt like me.

“Amy, if for some reason you happen to see this… I hope you know I never truly believed that. There was no way I would ever let someone walk on that stage and sing your lyrics. I had become a shell of myself. Even if I was foolish enough to attempt it, it would have never provided me with my truest desire… for EVANESCENCE to continue. It would have become a joke.

“As I sat on the bus that night in absolute shame and defeat, there was no escaping the truth. Either I leave or EVANESCENCE dies. It broke me in a way I could never truly describe. My entire existence, my self worth, my identity was this music, this band. If my life is to mean anything, EVANESCENCE has to mean something.

“For some reason there has been a widespread opinion that my departure was a ‘betrayal’ or ‘abandonment’ and against the will of the band. I have no idea where this came from, as on the night of the 22nd, Amy made her wishes clear, sending me a message saying, and I quote, ‘Get on a plane, and never come back.’ Hearing those words, I was overcome with the reality that I had allowed myself to become someone that my once best friend would feel that way about.

“It is deeply saddening that such a huge number of you viewed my departure with such animosity and distain.

“Here are a few major truths that escaped almost all of you…

“I left so that EVANESCENCE would continue.

“What did I leave?

“What was the significance?

“Everything I based my life on. My dreams. My future. The music I loved most in this world. It’s as if no one even considered the fact my life now had no plan or purpose. Walking away meant forfeiting a winning lottery ticket. A dream so big it’s unfathomable it would even happen once in a lifetime. Millions of dollars. Years of security. And the one and only chance to truly realize the reward of of all my work, faith and dedication. My fucking identity.

“Less than one percent of the very few people throughout history to achieve such a dream could even fathom a sacrifice like this. Getting on that plane meant when I landed, every single thing my life was built upon was gone. And there was no delusion or hope that I would ever reach that pinnacle again.

“Try and imagine being in that position for a moment. It is remarkably rare that a person is ever faced with a decision like that in a lifetime. And to top it all off, I was just a fucking kid.

“Not only did I give Amy exactly what she wanted, and EVANESCENCE exactly what it needed, but I did everything in my power to ensure I didn’t cause a single speed bump on their massive ride to worldwide success. I went quietly and peacefully.

“EVANESCENCE didn’t miss a single show. There was absolutely no argument over rights and ownership. I owned 50% of the trademark and property value of the now very valuable brand of EVANESCENCE. I gave it to Amy free and clear. I asked for no buyout, no negotiations. Just a clean break.

“When resentment led to slanderous and sometimes completely false statements about me in the press… I said nothing. When the very fans I had such a deep connection through the music I helped create with decided that it was mandatory to pick a side, leading to an overwhelming backlash of distaste for me… I said nothing. For seven years I made every effort to bring no drama to EVANESCENCE. No one… NO ONE could have made it a smoother, more gracious, or more generous dissolution.

“After rebuilding my life and career, through years of hard work, expanding my musical horizons and many many dark times of confusion and depression…I have my life on a new path. I’m very content with my career and personal relationships. The only thing missing from my life was the satisfaction of playing the music I love most live.. with people I like and who like me. In this time EVANESCENCE has progressed a great distance from the original sound..and made it clear that they intended to expand much further.

“Amy is very artistic and never has had a problem thinking outside of the box and defying expectations. So I called the guys up. I say, ‘Fuck it. Why deny ourselves the experience of doing what it is we do best?’

“After an extensive search we were very fortunate to find what we looking for. Contrary to almost every EVANESCENCE fan’s opinion… what we were looking for was NOT an Amy Lee lookalike. Nor was it someone who would wear Amy Lee‘s clothes, or try to sing like Amy Lee.

“I hate to break it to you, but this is about five people who love to make music together.

“Does [WE ARE THE FALLEN‘s debut album] ‘Tear The World Down’ have many stylistic similarities to ‘Fallen’? Sure.

“You want to hear me do something different? How about the songs I wrote on both DAUGHTRY records. Or KELLY CLARKSON. Or AVRIL LAVIGNE. CELINE DION. HALESTORM. HANA PESTLE… Hell… I even have COUNTRY releases. My solo record is as far from EVANESCENCE as it gets, which has a lot to do with why about 12 people own it.

“I made EVANESCENCE music to leave a mark on this world. Everything else I do, I do for me.

“I LOVE playing in WE ARE THE FALLEN.

“In several thousand of the comments I read yesterday the song of the day seemed to be ‘ripping Amy Lee. Trying to be EVANESCENCE. Just a total copy of EVANESCENCE. Get your own sound. She’s trying to sound like Amy. Wishes he was in EVANESCENCE.’ Well….I don’t wanna be the guitar player for EVANESCENCE… I WAS the guitar player in EVANESCENCE. If I appear to be reminiscent in style, its because it’s written and performed by the very same damn people.

“It’s not rocket science… it’s plain and simple. Rocky, John and I playing together just doesn’t come out any other way. Accusing me of ripping off myself is just silly. If you take half a second to really take in to consideration the facts… If I intended to compete with EVANESCENCE I would have done it oh…. about seven fucking years ago. And it is this presumption that I’m somehow trying to start a war with EVANESCENCE that demands my rebuttal.

“If you truly believe that after the most selfless sacrifice I’ve ever made in an attempt to atone for the person I had become, YEARS of taking the high road and the endless verbal bashings I still receive TO THIS DAY that I never defended myself against.; that I would then spend another year and a half and a sizable financial investment to launch this band just to reignite a fictional feud between myself and Amy Lee after ALL I DID TO GO IN PEACE….If you TRULY believe that’s even plausible; then you are lost. And you are wrong.

“Every single bit of success that EVANESCENCE achieves is a success for me. Every CD they sell (with or without my contributions), every venue they sell out, strengthens the one great thing I did with my life. Ensuring my sacrifice wasn’t in vain.

“I want nothing more in this world than for EVANESCENCE to have decades of success and connection with the millions of people that connected to our music. It is absolutely absurd that anyone would think otherwise.

“It has been the greatest disappointment and hurt of my life that the very people that so passionately supported my life’s work, who gave me the strength to walk away, were so quick to make me the villain. And even though Amy Lee, the one you hold so dear, has TOLD YOU ON NUMEROUS OCCASIONS that the happiest she’s ever been in the band was after my departure…you make her a victim. She has absolute empirical control of the creative direction of EVANESCENCE for the rest of her life. I literally handed everything over without fighting for a thing. Yet all I’ve heard for seven years is ‘Ben Moody is an asshole for leaving. Ben Moody is douche. Ben put Amy through hell and betrayed her.’ I honestly thought eventually you’d all move on, but WE ARE THE FALLEN has apparently incited an uprising.

“Though some of you will continue to disagree, and contradict this…the absolute 100% unavoidable FACT of the situation is that you still have EVANESCENCE SOLELY because I was willing to leave. And I refuse to sit silent while while a great number of you insist on making something that should be so wonderful and positive in to this bullshit. EVANESCENCE is bigger than that. It’s bigger than Amy Lee. It’s bigger than Ben Moody. It can still be something special.

“So many of you seem to be fighting a war that doesn’t exist. Amy is happy! I am happy! Why is it that so many of you refuse to acknowledge that?

“Do I expect gratitude for what I’ve done, or an apology for the resentment I’ve been shown with absolutely no basis?

“No.

“Do i deserve it?

“Absolutely.

“So I’ll skip a step…

“You’re welcome that I gave it all away, so that the connection I felt with you all through music might not die.

“Standing on that stage every night playing these songs and seeing so many people sharing the same experience was the greatest joy I’ve ever known. When I left, the biggest part of me died. That those same people couldn’t see that and abandoned me overnight, is the greatest heartache I’ve ever had to endure. I have no way of repairing what has been done. It is done.

“EVANESCENCE is in no way threatened or concerned by WE ARE THE FALLEN, and WE ARE THE FALLEN is in no way threatening. Having a band almost a decade later that I can make the music I love with on such a minuscule scale compared to EVANESCENCE just to be happy…is pretty goddam little to ask.

“Do any of you really think I’m trying to steal thunder from EVANESCENCE or defeat Amy Lee at some stupid pissing contest? It’s asinine to even think it’s possible. You don’t like it? That’s fine. You think listening to WE ARE THE FALLEN or enjoying WE ARE THE FALLEN or simply leaving it be is somehow betraying your loyalty to EVANESCENCE? That’s your opinion and you’re entitled to it. But neither WE ARE THE FALLEN nor EVANESCENCE agree with you. This need to pick a side is only real in your head.

“I just want to play. This is what the music I make sounds like. And for the first time in a very long time, I’m happy. i just wish you’d spare yourselves so much wasted time and energy tearing everything down. We don’t care. And that’s energy and passion you could put towards something positive.

“I love EVANESCENCE. If there were any way in the universe I could go back and do things differently.. I’d pay any price. But I have never been stronger in my resolve and belief that I made the right decision for everyone. You don’t have to agree with or believe me, but for everyone’s sake hopefully at least some of you will take a hint from Amy and myself….and just move on.

“I wish Amy Lee and EVANESCENCE a lifetime of success and happiness. And I hope you all will continue to find a kindred spirit in both EVANESCENCE, and other EVANESCENCE fans.

“And hey… if you decide you’re willing and able to drop this imaginary competition between us two… Who knows? You just might be able to enjoy both. I certainly do.”

for more and videos go here:

http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=145179

Evolution Season is almost here!

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http://www.myspace.com/callingcorners

Calling Corners CD Release Party

DISTURBED Frontman and Nazi collecting

He and Lemmy both make sense to me ,,sort of…(chuck)

 

Draiman: “Both of my grandparents on my mother’s side were survivors of the camps. My grandfather was in Bergen-Belsen [in northwestern Germany]. He was on wheelbarrow duty carting the bodies to the crematorium. My grandmother was five or six years old when she was in Auschwitz [in Poland]. She survived on three separate occasions by crawling underneath the legs of the people behind her who were in line to the gas chambers. And after the third time, the camp was liberated. I’ve got other relatives who are survivors, and my entire mother’s side of the family, save my grandmother and grandfather and a couple of their siblings, were completely wiped out. So I felt it was important to write about it because I realized that the last generation of survivors is about to be lost. And when you have animals like [Iranian President] Mahmoud Ahmadinejad out there saying the Holocaust never occurred, I felt it was important to write this song.”

“On the subject of whether people should wear uniforms, Lemmy stated, “I’ll tell you something about history. From the beginning of time, the bad guys always had the best uniforms. Napoleon, the Confederates, the Nazis. They all had killer uniforms. I mean, the SS uniform is fucking brilliant! They were the rock stars of that time. What are you gonna do? They just look good. Don’t tell me I’m a Nazi ’cause I have uniforms. In 1967 I had my first black girlfriend and a lot more ever since then. I just don’t understand racism, I never thought it was an option.””

the article is great, go here:
http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=144875

Derek Riggs on drawing “Eddie” from Iron Maiden

I remember when Killers came out…This artwork was flooring!! (chuck)

 

One of the people who works on the website tells a story about looking at Killers as a ten year old kid and being uncontrollably drawn to it, saying, “It was like pornography.” This is funny to me, because it’s true — it was unavoidably compelling and obviously evil, but also because of the countless Eddie posters that shared wall space with Heather Locklear or Pamela Anderson. So, how do you look back on your life as a pornographer?

[laughs] Oh, I wasn’t part of all that. I just drew a picture and the rest of that stuff didn’t really have anything to do with me. From the first thing that I drew, it was all a logical response to what I saw around me at the time. It’s funny you say that about pornography, because part of my motivation at the time was a reaction against what I was seeing in hard rock bands. They all had boring art with half-naked women and it was all really crap. I wanted to draw something that had some balls to it. There was nothing else like what I was doing at the time.

That’s funny, because Eddie ended up having such a strong appeal, to the point that people had to put posters of him up in their rooms.

I had a funny experience of my own. About two months after I submitted the art to Killers, I was walking down Oxford Street in London, where I lived. There was a huge Virgin records store at the end of the block. They did an absolutely huge 15 foot by 15 foor square painting of Killers. I didn’t even know it had been released. I thought, “Fucking hell, that’s terrible.”

read the rest here or Eddie will come and get you…

http://www.metalsucks.net/2010/08/17/the-austerity-programs-just-foley-interviews-legendary-illustrator-derek-riggs/

Sebastian rules out SkidRow Reunion

I guess I see his point….(chuck)

Bach: “They’re [the current lineup of SKID ROW] still around and they’re playing where they play and I have to go on the Internet all the time and explain to people that I’m not in the band, and it’s just frustrating.

“If you got fired from a job, everywhere you go, it wouldn’t be, ‘Jimmy who worked at McDonald’s in ’89.’ You’d be like, ‘Get over it.’ [laughs]”

On why he can’t reunite with his former bandmates as SKID ROW:

Bach: “Let me answer it as honestly as I can. You’re talking about… When SKID ROW was last good… We broke up in ’96, but I don’t even count that. I would say ’91 was when we were last really a good band. I just don’t live in 1991 in 2010, and I’m talking about four other guys that I haven’t seen in 15 years.

“I think of SKID ROW the same way you might think of picking up your high-school yearbook. You have affection for what happened 30 years ago, but you look at the yearbook and you go, ‘Oh, cool,’ and you shut it, and it’s today.

“I don’t know those people.

“It’s not sports. It’s not like a team.

link:

http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=144822

Megadeth’s Vic Rattlehead makes an appearance

There is soo much  more they could do with this guy in concert…They need an actor to play him and not a roadie ( I am assuming it’s a roadie in this video, but it’s cool anyway) (chuck)

STP stands thier ground against their Record Company Atlantic

“The band’s choice to self-produce the album, when they could have had any producer they wanted, is a good indication they are serious about this policy. “Our label [Atlantic Records] refused to let us produce it,” De Leo says, adding Atlantic told STP, “‘We want a big-name producer.’ You know what we told them? Fuck off.” DeLeo stands by the band’s choice, calling the self-titled album STP’s “finest-sounding record.” And once the band played the new album for Atlantic, he says, the label caved in on its demands.”

“STP has had a rocky relationship with Atlantic in the past; the label sued the band in 2008 for attempting to escape their contract prematurely. DeLeo speaks candidly of this relationship. “It just seemed funny that every label but our own contacted us to write songs for other artists,” he says. “Our own fucking label didn’t even know what they had in their back pocket for the last decade.” Furthermore, according to DeLeo, the band won’t be working with Atlantic much longer. “Their loss. They have us for one more record,” he says. “I think it’s only because we managed to sell a lot of records that we’ve had a pretty good relationship with them.”

for the rest of this cool article go here :

http://consequenceofsound.net/2010/08/17/getting-vocal-with-stone-temple-pilots-dean-deleo/

UFO’s are watching Ozzy’s Concerts?

Roger Marsh of UFO Examiner reports that “a triangle UFO flying higher than any conventional aircraft” was spotted during Ozzy Osbourne‘s performance at the Ozzfest 2010 kick-off concert on Saturday, August 14 in Devore, California. “The shape was triangular with rounded tips,” one concert-goer was quoted as saying, according testimony from the Mutual UFO Network (MUFON) witness-reporting database. “The color of the craft was a pale gray. The middle looking on edgewise was slightly rounded and thicker in the middle, which held three round lights in a line strobe-like. Colors were green, yellow and pinkish purple. The lights were like a strobe that blinked and flashed 3-5 times before it disappeared behind a tree that it fit behind.”

Read more from UFO Examiner.

In October 2008, The History Channel debuted an episode of “UFO Hunters” that featured one of the best-documented UFO “sightings” to date. It took place August 21, 2004, when fans were leaving an Ozzfest concert that took place First Midwest Bank Amphitheatre in in Tinley Park, Illinois.

As the fans were caught up in a traffic jam, three lights in a triangular pattern hovered above them for nearly 20 minutes. According to a Chicago UFO expert, it may be the most-seen incident recorded.

Watch a four-minute report on the Tinley Park UFO “sighting” below. (Note: The report below is not part of the “UFO Hunters” episode.)